Things I learned from watching the Oscar-Winning Race Relations Opus "Crash"

You should then write "characters" who act on something that only vaguely resembles real human motivation. Throughout the course of the film you should clumsily put them in contrived situations and make them do silly things to illustrate those ideas.

Then if you look closer again, you'll see they are trafficking slaves.

Otherwise, you can just watch the puller hold the rug expectantly and then look like a fool when he flails it in the air, (in this movie usually twice in quick succession, see above). Viewing hint: if you think you are supposed to assume something about a character, wait about a minute and there will be an attempt to totally blow you mind by showing you that you were wrong for making that assumption, but don't get too comfortable, cause that new thing you just assumed is gonna get turned on its head too (double the learning!)

luckily some have (hot!) Americanized daughters who try to cool their savage tempers and don't buy into their fervent belief in Islamo-facism (not even a little!)